Mac DeMarco

JAM PRESENTS

Mac DeMarco

Tonstartssbandht

Tue · May 16, 2017

Doors: 6:30 pm / Show: 7:30 pm

$32.00

This event is all ages

Mac DeMarco
Mac DeMarco
"As I'm getting older, chip up on my shoulder…" is the opening line from Mac DeMarco's second full-length LP Salad Days, the follow up to 2012's lauded Mac DeMarco 2. Amongst that familiar croon and lilting guitar, that initial line from the title track sets the tone for an LP of a maturing singer/songwriter/producer. Someone strangely self-aware of the positives and negatives of their current situation at the ripe old age of 24.

Written and recorded around a relentless touring schedule, Salad Days gives the listener a very personal insight into what it's all about to be Mac amidst the craziness of a rising career in a very public format. The lead single, "Passing Out Pieces," set to huge overdriven organ chords, contains lines like "…never been reluctant to share, passing out pieces of me…" Clearly, this isn't the same record that breezily gave us "Dreamin" and "Ode to Viceroy," but the result of what comes from their success. "Chamber of Reflection," a track featuring icy synth stabs and soulful crooning, wouldn't be out of place on a fantasy Shuggie Otis and Prince collaboration. Standout tracks like these show Mac's widening sound, whether insights into future directions or even just welcome one-off forays into new territory.

Still, this is musically, lyrically and melodically good old Mac DeMarco, through and through. The crisp John Lennon/Phil Spector era homegrown lush production that could have come off Geoff Emerick's mixing board in 1972 with that peculiar Mac touch that's completely right now is still present. "Brother," a complete future classic, is Mac at his most soulful and easygoing but with that distinct weirdness and bite that can only come from Mr. DeMarco. "Treat Her Better" is rife with Mac-isms, heavily chorused slinky lead guitar, swooning vocal melodies, effortless chords that come along only after years of effort, and the other elements seriously lacking in independent music: sentiment and heartfelt sincerity.

We're only in Part 2 1/2 (one EP and two LP's in) of Mac's career. As you read this and as you hear the album on April Fool's Day of this year, he'll probably be on tour, or preparing for one… or maybe already writing new music. A relentless work ethic is something to be admired in today's indie music scene, but when it's of the quality Mac is giving us time and time again, it starts to turn from admiration to awe.
Tonstartssbandht
Settle into Tonstartssbandht's music and let it rock heavy from all sides. The music melds with the personal, tangible nature of the city climate, telling a stunning tale. Discovered on the road and distilled at home, the music conveys experience and subtlety, scars exposed to carry the chronicle. The music, the music, the fucking music.

Sorcerer is the first full-length studio album from Andy and Edwin White, the Florida / New York duo known as Tonstartssbandht (tahn-starts-bandit). On Sorcerer, the brothers chart a heavenly course above the storm and stress, one explored over years of touring and a poetic language forged between performers and siblings.

Sorcerer offers three long form depictions of Tonstartssbandht's boundless spirit; ambitious noise rock narratives buoyed in a swampy sonic scene of delay, distortion, and virtuosic interplay. The album displays larger lyrical concepts within the framework of a guitar and drums duo; Andy's guitar and vocal loops creating a cascading sheet of interpretative reverb and future melodies, Ed's high-stakes drumming divided every which way but loose, a deep canvas of cohabitating sounds.

Recorded live in the living room of Le Wallet, the affectionate name of Andy and Ed's former Bushwick, Brooklyn apartment (additional vocals were added after a move back to their hometown – and present dwellings – of Orlando, Florida), elements of the environment Sorcerer was captured – a water heater's hiss, a passing cop car siren, the rumble of the train – bleed in and out while the music fills the room to reflect its very shape.

Lyrically shaped by relapse, recovery, and lost relationships, the brothers' harmonized voices and trademark glossolalia shade the songs of Sorcerer with a beautiful, unsettled subtext. A desirous unmaking of design happens across the three album parts, eventually recovering and cohering as an earnest, honest experience.

Andy and Ed never halt their working pace, and never cease to stroll the path they've invented despite the challenges at hand. Intentionally striving for and then subverting self-sabotage, weathering the storm they've summoned, Sorcerer is the romantic abstract of this invented space and the individual's relationship with that space. It is raw and flawed, but brilliant and real because it is intentionally so.

This is Tonstartssbandht at the height of their song – and story – craft, channeling pure motion and emotion through a soulful filter at the speed of sorcery. Witness the incantation and let the spell take hold.
Venue Information:
The Vic Theatre - Jam Productions
3145 North Sheffield
Chicago, IL, 60657
http://jamusa.com/the-vic/